Peppy Square

Archive for June, 2010

At nineteen, in 1975, I was selling advertising for the OSU college paper, The Lantern, and submitting stories and getting published in the student “fringe” paper: Our Choking Times. The one where I won their respect as a budding radical, then went flying over the lines of professionalism to date Gil Scott-Heron.

I not only wrote about the older and otherworldly genius radical rapper, I threw caution in my hometown wind, hit the road with him, and well, you know. Ditching college for nearly a week, I boarded a tour bus with Gil, soaking up his celebrity and smiling a smug smile, when other girls stared with hungry eyes. Mostly I watched him read and read and read.

Now I knew why his lyrics were so intriguing. He devoured news magazines and books, speed-reading, thoughts on fire. I tried to be ready with an intelligent comment or witticism, while keeping the goal of my article in mind.

“I like talking to you,” he once said approvingly, eyes smiling as he looked up from U.S. News and World Report. And well my heart did little flips as the bus clipped along.

In 1976, I would have flashbacks of our recent time together: Gil, handsome, angular-faced and charmingly disheveled sat backwards on a chair across from me, as I lay robed in his hotel bed and dreamily drank wine. He enthusiastically entertained his enraptured audience of one. I alternated between laughter and awe, as he tossed off brilliant dialogue and humor with an upturned finger, woven in with his trademark political rhapsody and a wacked, uncombed, uncared-about afro.

My merriment only slightly dimmed by an shadowy sense of foreboding when Gil made a point of taking frequent “artistic time-outs” to do copious lines of cocaine from an album cover on The Holiday Inn hotel dresser. Credit to him, he didn’t corrupt me with his coke, which I had turned down the first day. I was still terrified by cocaine–then. And he let me stay happily “in my cups”, replenishing my drink stash at every rest stop. Back in that day, a man who never let my drink run out, was the epitome of a gentleman to me, which made it hard to focus on diamonds and more upscale amenities.

Wrenching myself away from that rendezvous for a season, I became the sometimes-faux, oft-times truly-dedicated student again and dove into my college classes for another year or so.

Mostly I wrote from the soul, without getting intimately involved–all in preparation for my coming career in broadcast journalism. That is until I got sidetracked again, but by this time I was twenty-one. Hey, I was grown! But my grown self was running a semester behind my scheduled graduation date. My degree had to wait for spells of heavy drinking, the local party scene and manic depression hovering in the wings.

At least school was out for a season, because it was the smoking-hot Summer of 77″!! A friend of a friend, a concert promoter, borderline dirty old man. (he was late 40′s which at 21 seemed pretty ancient.) This guy submitted my name to a contest, then told my friend that I’d be perfect with some coaching and could probably win.

It was a beauty contest, but sort of an invented one for publicity to launch Lionel Richie and The Commodores’ concert tour and promote the hit record du jour. The song soaring up the charts was “Brick House”–helping to make The Commodores one of Motown’s hottest groups. The contest was for Miss Columbus (Ohio) Brick House.

The winner at the national level it was promised, would also snag a movie role with the exceedingly cool, Billy Dee Williams in his next movie. I was jazzed beyond rhythm-and-blues. Fifteen girls competed at “Ciro’s”, the popular Columbus dance club, sort of Miss America style, in swimsuits and heels and then revealed their “intellect” or “wit” when asked a serious question.

To be honest, there was a girl who was a Brick House bombshell, with a sensational eye-popping figure, judging by the collective stares of the men in the audience, but the dear bombshell appeared dumb as a bag of hammers! (She wasn’t, just shy.) I was pretty adept at stringing a sentence together, and she fumbled over her name. Since they wanted a kind of spokesmodel winner, I won.

Sandi, the Bombshell, became the runner-up and we became fast friends, because at that point, The Commodore’s management closed down the contest and picked the two of us to go on Tour with the group.

We won gift certificates and free travel, limo rides, meals, money for clothes. We stood behind barricades in record stores in swimsuits, high heels and fake furs and signed autographs, along with The Commodores. I always wore a pair of slacks over my swimsuits in public when offstage, because I didn’t want to look sluttish. I was actually aiming for something sophisticated, sexy and upscale. Years later, Beyonce’ pulled it off.

Sandi and I roomed together, giggled, gossiped and drank champagne while we traveled to Philadelphia, Hartford, Connecticut, Boston, and made a pit stop in Dayton before the tour was to have a huge concert at Madison Square Garden in New York City.

It was at a packed arena in Philadelphia that I was “crowned” the official stage dancer on tour and I was ecstatic to be onstage with Lionel Richie and The Commodores.

“She’s a Brick House–she’s mighty, mighty!” they sung in snug, glittering military-style suits–a vision for testosterone-deprived eyes. And I’d do a wham-bam funky yet feminine, hip thrust as I wound my provocative dance to position myself in between Lionel Richie and William King.

“A-A-O-O-W”, I would think while William Orange actually sang it.

I was developing a serious crush on Lionel, but would try to reign it in whenever his pretty wife, Brenda, stage left, arms folded, looked at us, sullen from the sidelines. I was told by the road manager, she had been doing that for the last two years, but now it seemed definitely directed at me. That angst and heady excitement became a combustible mix that changed the show’s routine it seemed during one concert.

The routine was that Sandi would dance solo from stage right and I’d dance solo from stage left. Once during a concert the air charged with anti-matter, the routine was interrupted at the pit stop in Dayton. There was a rustling, a din, and then complete clamor and chaos.

Suddenly a “boo” erupted from the back. What had started as a tiny disturbance, quickly became something monstrous. 10,000 people packed in the arena began booing in a huge roar for almost a full, tortuous minute.

I was mortified, spinning dizzily as I finally stumbled offstage when the song was over, almost tripping over my sky-high heels. Try hiding wearing a neon-orange bathing suit. I ran into a photographer who was stage side, who became one of my best friends over the years.

“Why did they boo?” I broke out in little-girl sobs, heaving in-between blurted words, “I was thinking I did my best Chaka Khan dance moves,”

“I was in the back of the arena earlier,” Chuckie laughed, “and I heard a loud, crazy protest, people complaining—Miss Brick House is white! Miss Brick House is white!”. Then everyone started booing, not even knowing why they were booing,” he said. “Just really stupid.”

“But I’m not white!” I wailed, “I’m a black woman, a light-skinned black woman.” (African-American was not yet in vogue.)

“Oh, of course I can see that,” said Chuckie, “but wa-a-ay in the back with bright lights washing out your skin tone and the fact that you sometimes wear that straightened Farrah Fawcett-looking hairdo—well, I guess they just couldn’t tell.” Tears of laughter brimmed Chuckie’s eyes and he wiped them away with his knuckles.

I found it hard to laugh with him or even chuckle. To be booed by 10,000 people in a roar of disapproval back then, made me wish the earth would quake, open up and consume me quickly, no matter what the reason.

The next morning on the road again, I had washed and curled and frizzed my hair, letting
it dry naturally. But I continued to whimper about the night before. Yet it seemed to disturb nobody but me, which I found amazing. I thought they would send me home. Then I remembered the performer’s mantra:

“The show must go on.”

I also thought of Lionel Richie’s smile. Did I care he was married? Only when I examined his wife’s face did I feel a wave of guilt. She seemed so unhappy about the nightly crush of women. Yet I wasn’t a groupie, I sniffed to myself. ‘Hey, I’m Miss Brick House! I’m not only with the band, I’m in the show!’

That sense of entitlement combined with the bitter-sweetness of an early hallway smile beamed in my direction. And light conversation between Lionel and me–and I only cared for my own selfish joy.

That summed up a 21-year old woman-child, with a dusty Bible and a neon orange bathing suit strutting nightly onstage with a supergroup, led by a friendly, incredibly talented, rich and famous man. I was dancing a dream and anything seemed possible. And so I danced.

I Admit it I Love A Square…Dish That Is

What with the ongoing recession people are choosing to eat at home more often. While this certainly saves money, there are probably times when you wish dining in could be just a little more special. Now it can be. By purchasing a few candles and a set of square dishes you can turn even the simplest meal into something of an event.

How Square Dishes Can Make a Meal Special

Think back to all the really nice restaurants you have gone to. While the food was good, it was probably the atmosphere that made the meal so memorable. The elegant table cloth, the candles that softened the lightening, and the elegant dinner ware all probably set the mood for you to have an enjoyable meal. Square dishes can help you to create the same kind of mood right in your own dining room.

Since most people tend to go with the traditional round dinner ware, chances are that you have been using round plates and bowls on a regular basis. By simply choosing a new shape, you are changing your meal time atmosphere. Square dishes have clean classic lines and come in a variety of colors, which means you can use these dishes to help create all kinds of atmospheres from casual and fun to elegant and romantic.

Make a dinner of hearty beef stew served in a square bowl, with some crusty bread for accompaniment, add a gingham table cloth and a centerpiece of sunflowers and you have a casual county inn dinner atmosphere.

Chose a lace table cloth a few candles and that crystal stemware and your square dishes will create an atmosphere of old world romance to go with that Shrimp Scampi or stuffed chicken breast.

Square Dishes Allow You to Create a New Atmosphere Anytime You Wish

You can purchase a set of square dishes reasonably inexpensively. A place setting for four or eight people will probably cost you no more than one nice meal out. For that one small price you can create a variety of different atmospheres any time you want, making dinner an event once a month, once a week or nightly if you choose.

Think of the fun you can have using these dishes to create an exciting new atmosphere for any occasion. These dishes can make your holiday table look extra special. You can use the set by itself or combine them with your round plates for an extra elegant look. A red or green square bowl set on top or a pristine white or a gold round plate will make even the simplest salad, soup, or stew look more appealing.

To get the most out of your square dish set, you might want to choose a set in a color that will contrast nicely with the round dishes you are already using either for every day or those special occasions. By choosing dishes that will blend with those you already have, you will have more options to create more stunning table settings than you ever dreamed possible.

Dining at home does not have to boring, square dishes can help you create any mood you want whenever you want it.

Flagstone Patio Installation

If you have ever looked into high end landscape installations, you will find that the products are of a natural quality. Man made products are an antithesis to landscaping. The purpose of landscaping is to be in nature. This is why high end landscapes typically use flagstone for the patio and walkways. High end landscapes most often use select flagstone. Select pieces are much larger than average. Then, moss or thyme is planted in flagstone cracks. Moss and Thyme keep out weeds, hold the stones in place, and flower tiny beautiful flowers. Elfin Thyme is preferred because it grows very dense and low to the ground.

To complete this project you will need, a strong back, shovel, pick, boots, gloves, level, two by four, large mason chisel, mini sledge hammer, helper, and a skill saw with diamond blade. You may also need metal landscape edging, bender board, and stakes.

Stone Beauty

Select stones are quite striking. There are shades of glittery gray, brilliant white, deep red, feathery blue, and tortoise green. They somehow shimmer back at you in a friendly way. You can create quite a masterpiece by using multiple stone colors, shapes, and hand picking unique stones. Irish Moss and Elfin Thyme soften the hard stone, cool it, and bring in natural beauty.

Pricing

You can expect to pay around $5.00 per square foot installing yourself. Contractors charge $10.00 to $15.00 per square foot (including material).

How To Install

Dig Out Dirt

First, if necessary, dig out the dirt. Stake out the patio edges and decide how high the patio can be. In most cases, you will need to dig down six inches. The stone will be 2 inches, the gravel base will be 2 inches, and the sand will be two inches.

Install Edging (Optional)

Use metal landscape edging or bender board to hold the edges in place. This step is purely optional. The larger select stones will stay in place well without the edging. Edging is more necessary if you use smaller patio stones.

Compaction

After you dig out the dirt make sure the base is compacted well. You can rent a plate compacter from a construction rental store or you can use a hand tamper. Once the base is compact, add two inches of gravel or road base and compact again.

Gravel And Road Base

For larger jobs road base is the best way to go. State spec road base is a combination or gravel and dirt. It compacts really well to make roads and will work well for your patio. In any case, you can also use fine gravel. The finer gravel will compact tighter and be easier to work with. You should use coarse gravel because it will compact better. Coarse pea gravel is a good choice.

Sand

The stones are not uniform. You need sand to adjust for stone height. Add 2-3 inches of sand on top of the compacted base. Make sure the sand is coarse. Like gravel, coarse sand compacts better.

Install Flagstone

You will need at least two people to lift and place the stone. Use a mini sledge hammer and blue mason chisel with a yellow hand guard to break the stone. This will give you natural breaks. You can also use a skill saw with a diamond blade, but the cuts will not look as natural. Wet saws will be too small to do anything for you. If you ordered correctly, you will have mostly large stones with some smaller stones. This will reduce the cutting time.

To see if the stone is level, it is helpful to have a straight two by four. Lay it on the stone and look for depressions. You can also put a level on the two by four.

The stone should not be perfectly flat. A small slope is needed to help water run off the patio. Every foot of patio should have a ? inch slope (at least).

Ordering Stone

One ton of flagstone will cover approximately 80-125 square feet. There are many variables. Stone weight and thickness vary. Check with your stone yard for the exact kind of stone you wish to purchase. Most flagstones will cover 125 square feet with one ton. One variable is the gap between stones. For best results, order select stones. A lot of people throw in some smaller patio stone to fill in smaller gaps. It’s a little less expensive and you don’t have to break up the larger stone.

Ordering Gravel

One ton will cover approximately 80 square feet in a two inch depth.

Ordering Sand

One ton will cover approximately 124 square feet in a two inch depth.

Calculating Tonnage

Length * Width * Height / 27 = Yards Then, each product will weigh a different amount. You should use a different multiplier for each product. A rule of thumb is to use 1.5. So take the yards and multiply by 1.5 to get the tons that you need. There will be more tons than yards. Sand has a multiplier of 1.2 and gravel has a multiplier of 1.4. Flagstone will be around 1.5.

Final Tips

You can also choose a polmeric sand to put between the stone cracks. It looks like sand, but with three light water applications it will dry as hard as concrete. If you have an unstable area, you can install the flagstone on dry cement. Then, water the cement down so that it will harden and cure properly.